1.
We are surrounded by culture, that is, we are surrounded by people. In various ways we express ourselves, and we recognise these expressions. We express ourselves because we recognise others will recognise our expression. Communication is a vicious or un-vicious circle, depending on who you ask. And music is but one of the many ways of expressing ourselves as human beings.
2.
I wasn’t born in the eighth-century. I wasn’t even born in the 19th century. My time is the late-twentieth-century. I heard disco. I heard new wave. I heard pop. I listened to post-punk. I clubbed. I read Smash Hits and Face. I even read iD and watched a bit of Top of the Pops. I didn’t have complete control of my musical environment. I took in what was there. This was what was there.
Musical “taste” is different for everyone. No two people have the exact same music experience. Like everything else, we must necessarily see things differently. My favourite song can only come from what I have heard. We can try to have as wide a music experience as possible but we can never have the entire music experience. It isn’t even worth trying, unless you do so as a professional. I cannot imagine the knowledge of someone like Ryuichi Sakamoto or Mozart. My knowledge of music is limited to pleasure.
3.
As I said, my Top 10 songs can only come from what I have heard, what I know. And sometimes it is not worth expanding your knowledge.
Think of your musical knowledge as objects filling a room. At some point not much more can fit into it. We loathe to throw these things out. They “do the job”. They bring joy and sometimes sadness. Anger even. They belong to the history of me, the owner of this room.
Sometimes someone asks you to listen to this or that. But I already have the love songs to remind me of long past romances and present loves (plural because love is not for one but many: wife, child, parents). The newly introduced song, without sounding cold, means nothing to me. It reminds me of no one (except for the introducer) and no time except (for the present). But that song must mean everything to that introducer. And that song is all that matters. That is his or her song.
My room is filled. That person’s room may not be. He or she may be only starting to fill theirs. And yet others like you may also have filled rooms like yours. Finding people with similar rooms is a near impossible and almost futile task.
4.
Sometimes I would like to take out a particular song and play it. But why I chose that song to play is never clear. But once it starts it would bring back memories of the past, of people, places, and time. The associations are specific to me. It is immediately clear in the sense that I enjoy those memories, but would require much explanation to all others who do not have privileged access. That is the meaning of being me, and the meaning of others.
5.
Temptation by New Order.
Forty years have passed. But the days I would listen to this song are vivid to me, at least the general atmosphere, light, feelings. Joy. Discovery. Freedom. It is by no means a great song, but it reminds of all those things mentioned and more. It reminds of my friend to whom I had played it and it please me that he liked it too. That feeling is all that matters and mattered. And as I listen to it now as I write this, those same feelings return.
I will stress again this point – it doesn’t matter who has heard or likes the song, only what it means to you. The link to the past is so important that everything else matters not. Perhaps if you take that link away the song will no longer have that power over me.
In some ways it would be a mental assault. Reality would be changed in a way which would hurt greater than perhaps physical pain. This point I cannot confirm but only imagine to be so. Even imagining this now is painful and it has not even happened. Such is the intensity of music, and of experience in general.
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